New earrings...

I recently went on a very inspiring trip to Kraków, Poland.  Whilst there I fell in love with the work of artist Stanisław Wyspiański, particularly his incredible stained glass.

The colours are just amazing!

And then, for the first time in months and months, I felt inspiration creeping back, and the desire to try out some new jewellery ideas.

Apollo I

influenced by the colours in this wonderful glass:

I also experimented with some other Wyspiański-inspired colours:

Olea

and smaller pieces of embroidered and beaded felt:

Hydro

Berie

I like how these turned out - a little more delicate and feminine than my previous designs, and they all swing pleasingly from the ear when worn!

Now available in my Etsy shop :D

Jewellery...

Since coming back from Japan I've been having a long, hard think about my jewellery making and my Etsy shop.

  At the moment particularly I have so little time, but I'm also focussing more on other projects.  Also, I've been trying to think more about what is really 'me', and to make pieces which more truly reflect that.

So, I've made the decision to slowly streamline my jewellery making.  At the moment and for the foreseeable future, the only pieces I will work on will be more 'wooden bezel' brooches.  All other items in my shop will not be renewed when their listings expire.

This feels like the right decision, and in celebration, yesterday I finished two new pieces:

Profond

Peregrine

I'm still in love with these beautifully smooth wooden settings :)

17th July 2011...

Since coming back from Japan I haven't had much time for crafting.  I've temporarily changed to working almost full-time, and also have been experiencing a rich patch of inspiration for my current music project, which means that other things aren't getting much of a look-in.

What I have managed to do though is to finish another felted, beaded and embroidered pencil case:

Made from black linen, vintage Japanese kimono fabric for the lining, and an 8-tama kumihimo braid for tying.

 The felt piece is made from merino roving, cotton nepps, organza, scrim, bamboo fibre, silk hankie fibre and silk fabric, with metal and glass beads, tiny sequins, and seed, detached chain, colonial knot, bullion knot, running and detached fly hand embroidery stitches.

More brooches...

Today I finished the rest of the wooden bezel brooches - here are Topaz, Lavandel, Natsu, Nimbus, Baya, Melocoton and Agua.

I still can't get enough of these wooden bezels: I love the way the beautifully smooth wood contrasts with the texture of the felted pieces.

Brooches...

I'm working on some more brooches using the beautiful wooden bezels made by brightcolorart.  Hoping to have them all ready in time for the Magpie Market!

Here are the first few I've just finished: 

Moonshine, Islet, Guava, Pomme and Flamenco.

Affodell...

Today I finished the second of my two narcissus brooch experiments - I wanted to explore colour, petal/sepal shape and corona size, so here is an alternative to Jonquil: Affodell...

 Giving shape to the edges of the corona:

The felt for Affodell is made from silk throwsters waste, wool roving, silk lapps, wool locks, bamboo fibre, silk fabric and wool nepps, with glass beads, freshwater pearls and seed, colonial knot, bullion knot, detached chain and detached fly hand embroidery stitches.

Here they are together - my ode to spring!

Jonquil...

I managed to finish this today.

'Jonquil'

Another attempt at a more 3D beaded and embroidered felt brooch, this time inspired by the beautiful narcissi and daffodils that are blooming all over Edinburgh at the moment.

Here are my preliminary notes - I found out that 3 of what I thought of were petals are actually sepals!  The corona posed a particular challenge.

The felt is made from wool roving, silk velvet, cotton scrim, organza, soy silk, bamboo fibre, silk noil and silk tops, embellished with glass beads and colonial knot, seed, bullion knot, detached fly, detached chain and Algerian eye stitches.

Work in progress...

Trying to get this finished before all of the inspiration finishes flowering!

Pencil cases...

For the last couple of weeks I have been working on a special present of a pencil case.  I wanted it to be a 'wrap' style case with no zip, and to make it from a piece of felted, embroidered and beaded linen, and to use some Japanese fabric for the lining.

When I do projects like these I always start off with a rough sketch of what I hope it will look like, with approximate dimensions - this becomes the 'pattern' that I work from (although I don't actually use pattern pieces, just measurements).  I generally make two of anything so I can iron out any problems with the design in the first attempt.

Here's my rough sketch:

The first pencil case I made was like this:

It has a pouch for storing pencils and pens...

(the black and cream lining fabric that you can just about see is more from my vintage kimono stash that I got from Kyoto)

...and then rolls up like this.  It's held closed with an 8-tama kumihimo braid.

 Here's a closeup of the front felted area:

Fortunately the pattern worked out ok, which meant I could also make up the second pencil case - this time in my favourite autumnal shades:

 the inside has red kimono fabric:
(I used felt for the lining of the pouch to provide some extra protection for the contents)

The Autumnal pencil case has been given as part of a special present, but I am keeping the blue prototype for myself - and I'm looking forward to using it on our next sketching trip!

Auction for the Japan quake appeal

I just wanted to let you know that my sister will be running a series of auctions/raffles over the next wee while, with all proceeds going to the Japan quake appeal.  First up is my 'Sakura' brooch that I posted about here a few days ago.

You can find the auction, more details, and instructions on how to participate in the bidding for a chance to win the brooch here, at my sister's blog.  

Sakura...

I'm really ready for proper Spring now.  We woke up to snow this morning!  That just doesn't seem right.

The crocuses and snowdrops are out here at least, but I'm longing for narcissi... and cherry blossom!

This is a piece that has been in progress for some time.  She's my first experiment in slightly more 3D work (she's not hugely 3D but I needed to start somewhere).

'Sakura'

Sakura is made from 5 petals made from beaded and embroidered felt:

After making each petal, I gave them a little bit of extra shape:

and then joined them all together...

...into a brooch!

Phew...!

Finished! (and more besides)...

These amazing wooden settings are by brightcolorart on Etsy - I love them!

hat pins

...and now all packed and ready for tomorrow!

Colour, shapes... and a giveaway!

Over the last couple of days I have been revelling in the colour of beautiful new supplies - silk hankies from Sassalynne, Tussah silk roving from SilkAndShine, handdyed firestar from FeltStudioUK, and the most amazing 'wooly crumbs' from The Wool Peddler:

so much inspiration!

I'm also still trying to come up with new shape ideas for brooches and necklaces...  so I thought I would open it up to you!  Leave a comment on this post with your suggestions for new shapes for me to try - if I end up using any of your shape ideas, in return you get to pick an item of your choice from my Etsy shop that I will send to you as a thank you! 

I seem to prefer more abstract or organic shapes, and am limited to somewhat simpler forms (it's not possible to preserve detail in very complex shapes). Here are some shapes I have already tried, to get you going:

Thank you!

Dreamcloud...

My first new brooch of 2011 - and another experiment and attempt at working with colours I don't usually favour - this time, pink and lilac.

I had a brainstorming session trying to come up with new shapes for brooches and necklaces, and this shape was one I decided to try to see how it turned out.  While I was sewing around her edges I remembered about some labradorite droplets that had been languishing in my beady stash, and the idea developed from there.

'Dreamcloud'

Felted silk hankie fibre, cotton scrim, chiffon, organza, tencel nepps and silk throwsters waste, embellished with tiny 2mm sequins, glass beads and seed, colonial knot, detached fly and detached chain stitches.  The labradorite drops hang from assorted sterling silver chain.

I love labradorite.  It's my favourite mineral!

Sketchbook cover...

As you may have noticed, I'm a bit obsessed with making covers and cases for things... :D

Another project that has been taking up room on my desk waiting to be finished is finally complete - a wee 'wrap' style cover for my beautiful new sketchbook made by Hypsela.  I am trying to lose my inhibitions about drawing and to give it a go, and thought a lovely sketchbook and cover might be encouraging :) - the cover necessary because I have so much detritus in my bags and I would hate to damage this beautiful book!


Isn't the hand-dyed fabric cover beautiful?

I went for the wrap idea so that it would fit any small-ish sketchbook and could be re-used once this book is full.

I used oatmeal linen and a felted piece on the same linen that I had made but hadn't yet thought of a use for.

I hemmed the linen, sewed on a lovely laquered button and added a thin kumihimo braid for closure.  Then I beaded and embroidered the felt to finish it off. 

Running, split, bullion knot, colonial knot, seed, detached fly, woven spider's wheel and detached chain stitches:

She will be getting her first outing tomorrow on my maiden sketching trip!  *gulp*

Bosket and Namida... and believing in your own work!

I'm beginning to gear up for fully reopening my Etsy shop with revised photos and pricing.  It's something I've been thinking about (and struggling with) for a long time - the different ways to value one's work and having the confidence to do so.  After some while, and many helpful discussions with myself and other friendly ears (you know who you are - and thank you!) I have decided that it's time to support my own work more strongly.  


One of the main ways to do this unfortunately involves money - price often being construed to equal value (although often not actually the case) - but when your work is in the public sphere I do think this has to be taken into account.  There is so much information and advice available on the internet regarding pricing - what factors need to be taken into account and so on.   By the time you have factored in supplies and time often the numbers just don't add up to a feasible amount.


When I first started out, I couldn't believe that anyone would actually want to buy my work - I loved making it, but the process was the goal for me and the end result it was sort of extraneous in a funny kind of way.  Now over the months and years, I feel my skill has developed and so has my confidence (in myself and in my work) which means now that I can better value the time, care and skill that I put into the pieces that I make - pieces that I feel are beautiful and original.  This isn't meant to sound like blowing my own trumpet (so apologies if it does!) but rather it's an understanding that is very significant for me personally as well as for my work.  If I don't believe in it, who else will?!


It still feels all rather nerve-wracking though, particularly as another goal that I have set myself is to approach some galleries and boutiques in Edinburgh to see if they would consider selling some of my jewellery... *gulp*! I plan to do this after my shop is sorted out... and I'll let you know how it goes!


So anyway, back to the crafting - amidst all of this soul-searching I have actually been making things too :P - today I finished two brooches:

Bosket 

(loving this word - just learned it today - it means a clump of small trees or bushes :D)

and Namida (which is Japanese for 'tears')