Busy busy busy...

Well, I've been pretty busy recently with a whole variety of things...

...my first custom order at my shop - yay!  I'll blog about this in more detail in due course, but here are the necklaces I came up with:  Nebula, Chestnut and Midnight Rose.

...learning some more origami - I always include a wee origami crane in with my orders, so wanted to experiment with some other designs to see if they could be alternatives.  Here is a butterfly and a lily along with a crane.

...the biggest excitement is that I've signed up to do my first ever craft fair!  A wee while ago craft fairs Scotland contacted me through Etsy inviting me to apply to exhibit at their craft fairs.  After checking out one of their fairs in Portobello last weekend, I decided to go for it!  (*gulp*).  I'm pretty excited about it, but there is so much to organise... (actually, who am I kidding, I love to organise, and this gives me an excuse to make lots of my favourite thing: lists!!).

So, the craft fair I'm doing is on the 2nd May (the day after my birthday!) back in Portobello.  I'm now trying to build up a store of things to sell.  I was thinking about making some more fibre-y cards, and came up with these whilst playing with my embellisher yesterday:

Not quite sure how they're going to end up yet.  I'll keep you posted!

...I've also started my first online course - an embroidery course called "Personal Library of Stitches" on joggles.com.  I found out about it through Flickr after seeing some amazing photos of work by students from previous courses.  It's been really interesting so far, and pretty challenging.  Here are the first two samplers I have made as part of the classes:

... and then last but not least, here is what else I've been up to:

I finally got around to arranging some lessons after my attempts at learning the basics myself were, shall we say, less than successful!  In my first lesson, my teacher was helpfully able to explain that no, I didn't need to somehow make my limited number of fingers cover all of those keys and that the reason I hadn't been able to play an 'F' was because the key was bent!  (I did buy my flute on eBay...!).  Anyway, some repairs and a few lessons later, I am able to make a slightly better noise than a breathy screech (just about).  It's an amazing instrument, and so different from anything I have learned before.  So many things to think about!

So, there you go - lots of stuff going on!

I've also been lucky enough to be featured in a blog for the first time (thanks, Myfanwy :D) which has been very exciting!

Now I think I need to have a wee rest and a cup of tea :D

A different brooch idea...

I decided to try a slightly different approach for a new range of brooches - I wanted them to be larger, flatter, and to have more flexibility about what shape I could make them.  I recently bought some Bondaweb (sort of like double-sided sticky tape, but for fabric!) and some Tyvek (crazy tough paper that is sometimes used for envelopes, but also by fibre artists), and wondered if I could use them to make thinner brooches that still had enough stiffness to them.

Anyway, as usual I started with a layer of felt, made onto a backing of cotton wadding, with my embellisher.  This piece was made with metal organza fabric, wool roving, silk noil fibre, silk throwsters waste, trilobal nylon and organza ribbon, in blacks and greys.  The trilobal nylon (like angelina fibre) and the organza give a subtle sparkle.

After embroidering and beading the front surface came the 'sandwiching' work to give the brooch shape and structure.  I decided on a large-ish round shape for my first attempt.

Here are the layers of the brooch sandwich: 

front felt-bondaweb-tyvek-bondaweb-plain black back felt.

The bondaweb sticks with heat using an iron.

Then I tidied up the raw edges by whip-stitching around the edge in black embroidery cotton, and I finished the brooch with a silver metal brooch finding on the back.

Here's the finished brooch.  I called her 'Storm'.  The glass beads are mostly Miyuki and Toho, with a few tiny vintage Italian ones scattered around.  The hand embroidery stitches are in silk, rayon and metallic threads - mostly colonial knot stitch, with a little stem and running stitch in metallic threads added for extra sparkle.  

She is about 6.2cm in diameter and less than 5mm thick.

Taur-im-Duinath

I bought some amazing tussah silk roving from the wonderful Jacinta's Etsy shop - it was so beautiful that I had to make something with it right away!  The colourway was called 'Ironbark', and reminded me of forests.  I have been listening to the audiobook of the wonderful 'The Silmarillion' whilst crafting recently, and so Taur-im-Duinath came to life.

Taur-im-Duinath was a great, dark forest in the south of Beleriand in 'The Silmarillion'.

First of all I made the felt with my embellisher.  As well as the tussah silk, I used scrim, Cotswold locks (from another fantastic Etsy seller) ,  and wool roving.

To make sure I stuck to the basic shape of the pendant when it came to adding surface embellishment, I cut out a guide and tacked it onto the felt.  I then added more scrim, a metal bead and many more Toho Japanese glass beads as well as some tiny vintage Italian glass beads, as well as some hand embroidery (French and colonial knot, stem, split, chain and running stitches) in cotton and rayon threads.

To finish it off I whip-stitched around the edges with cotton thread.

The finished felt.

I mounted the felt onto a vintage brass tag to give it a good weight for hanging as a pendant, and then added some lovely delicate brass chain for the necklace.

The finished piece.

I really enjoyed making this necklace.  It feels like my ideas have evolved a bit since I last tried making a necklace in this way - particularly the idea to whip around the edges which tidies them up and frames the piece well.

Smocking

I have begun to learn how to 'smock' - an very old embroidery technique used to gather fabric.  It's probably most often used for clothing, but I want to explore whether it will be something I can incorporate on a small scale into my fibre pieces for extra texture.

You have to do two main things to smock - gather the fabric, and then add topsitches to hold the pleats in place.

I tried out 'smocking dots' - iron-on transfers in a grid pattern that guide the gathering stitches, as I am almost incapable of accurate measuring!

Smocking dots transferred onto fabric

Once the measurements/dots have been made, you sew a number of parallel threads for gathering the fabric.

When you've added the required amount, you pull them to gather the fabric into pleats.

Once the pleats are in place and the guide threads tied off together to hold them there, you can add the actual smocking stitches.  So far I've tried outline, cable, feather, diamond and honeycomb stitches.  Once the stitches are finished, you can remove the guide threads.  The pleats are now held in place by the smocking stitches, and have an elastic quality.

From top left, clockwise: feather, outline,cable,diamond and honeycomb stitches

Tiree

This is a felted, embroidered and embellished piece I made for my Dad.  It was inspired by the colour of the sea on the lovely island of Tiree, the outermost of the inner Hebridean islands here in Scotland, and one of my favourite places.

I decided to try a free-er, more organic feel to the boundaries of the piece, so I took my Dad's advice and tried working to a roughly circle shape.  I made the felted base with my embellisher from all sorts of different fibres - wool roving, Wensleydale locks, angelina fibre, bamboo fibre, tencel fibre, silk tops, silk throwsters waste, cotton nepps, silk fabric, cotton scrim, muslin, and I also trapped 3 tiny cowrie shells from Tiree onto the surface in pale organza.

Then I embellished the surface felt further with all kinds of things.  I used lots of different threads (rayons, silks, chenille, slubby, fine, cottons, linens) to give more texture, by couching and hand embroidering in bullion, French knot, feather, chain, stem, running and sorbello stitches.

French knot stitch and one of the cowrie shells

Bullion stitches and couching

Feather stitch and chain stitch

I also added some needlelace pieces in wave-like shapes for extra height and varation.

Needlelace pieces

I used a 12 inch wooden embroidery hoop to frame the piece.  I really enjoyed making it and choosing how to embellish it.  The only difficult thing was knowing when to stop!

More recent projects...

Well now the presents have all been given, I can post a few more photos without spoiling any suprises!  These are all more jewellery pieces that I made at my evening class.

A necklace for my sister - creamy felt made from silk and wool, embroidered in French knot stitch in aubergine shades.

An earring and necklace set for my Mum in rosy red shades - beaded and embroidered felt.

A wee pendant necklace for a friend, again beaded and embroidered felt.

Various projects and another 'helper'...

I've been very busy recently making various Christmas presents, and cards.  Although I don't want to spoil any surprises, here are some sneak peeks!

A Birthday card for my niece...

An embellished, felted and embroidered fibre art piece for someone's Christmas...

Various pieces of jewellery being finished up...

A card to celebrate the birth of my friends' first baby, Holly...

Oh, and I also got around to sorting out by fibre stash.  So many goodies!!

And last but certainly not least, a wee photo of my other 'helper'.  This is Bruford aka Brufybundle aka Mr Brufus McTavish.  He loves to eat thread, hide things, and usurp my crafting chair.  Don't be fooled by the adorable fluffy tummy.